Red Monstro VV 8K Camera
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Description
Key Features
- 8K Full-Frame CMOS Sensor
- 8192 x 4320 Recording up to 60 fps
- REDCODE RAW, ProRes, and DNx Recording
- High-Speed Recording up to 300 fps in 2K
- Records to RED MINI-MAG Media
- Uses DSMC2 Accessories
- Interchangeable Lens Mounts
- Includes PL Lens Mount
- Aluminum Alloy Construction
- 12/24/25/30/48/50/60 fps and Higher
Bundling high performance raw video recording in a compact camera body, the?RED DIGITAL CINEMA DSMC2 BRAIN with MONSTRO 8K VV Sensor?is part of the 2018 unified DSMC2 lineup and is designed to be built up the way you want, to tell your story in almost any way possible. Since the DSMC2 form factor is standard, accessories from RED and other manufacturers can be easily attached to accessorize your camera. The MONSTRO 8K full-frame sensor boasts up to 17 stops of dynamic range and can record the full image circle of full-frame 35mm lenses. You can also use Super 35mm lenses with a windowed capture area for high-frame rate recording. Sitting in front of the full-frame sensor is an interchangeable PL mount. This way you can use industry-standard cinema lenses right out of the box, or exchange the mount to use alternative photo and video lenses.
REDCODE RAW is the format of choice for DSMC2 cameras. RED’s versatile raw codec uses wavelet compression to reduce data rates while maintaining a visually lossless image rendering. This efficient codec can be edited on many available NLE software programs without transcoding, though if you prefer a proxy workflow, ProRes or DNx files can be recorded simultaneously to the MINI-MAG media. Lowering the recording resolution allows the sensor to capture higher frame rates for dramatic slow-motion footage. The DSMC2 cameras use sensor windowing to record slow motion in lower resolutions, requiring wider or smaller-format lenses to compensate for the additional crop. Recording rates range from 12 fps and up, including 24/25/30/48/50/60 fps and higher.
8K MONSTRO VV Sensor
REDCODE RAW
The cornerstone of RED’s workflow is the robust REDCODE RAW file format. Using wavelet compression with ratios ranging from 2:1 to 22:1, REDCODE RAW offers the versatility of raw files without the overwhelming storage requirements of uncompressed image data. Since REDCODE RAW has been around since the days of the RED ONE cinema camera, many common NLE software programs including Adobe Premiere Pro, Blackmagic Design DaVinci Resolve, Apple Final Cut Pro, and Avid Media Composer can import and edit REDCODE RAW footage without transcoding, saving production time in the edit suite. Capture rates range from 12 fps and up, including 24/25/30/48/50/60 fps and higher options.Note:?Not all compression ratios are available at all resolutions and frame rates
Apple ProRes and Avid DNx Formats
DSMC2 Form Factor
Color Management
Variable number of 3D LUT outputs with DSMC2 expander module
User-programmable shaper 1D LUTs
Tetrahedral interpolation, 16-bit processing